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Christmas is fast approaching with many Britons already preparing for the big day. Tesco, Asda, Sainsbury’s, Marks & Spencer and Morrisons have all brought out ranges of Christmas food. Which supermarket is the cheapest?
Christmas turkeys are now available to order from many supermarkets.
Most retailers have a range of turkeys that vary on everything from their size to how they are prepared.
No matter what type of turkey you want there are plenty of bargains to be had this year.
Express.co.uk has ranked the cheapest fresh turkeys to order now.
Morrisons Whole British Turkey – £3 per kg
Coming in as the cheapest fresh turkey available now, the medium or large turkey can be bought for just £3 per kilogram.
The medium turkey serves up to 10 people with the large feeding up to 13 hungry guests.
Asda Medium Standard Whole Turkey – £3.95 per kg
The generous medium turkey serves between seven and 10 people.
It typically weighs around 4.75kg and costs £3.95 per kilogram.
Asda shoppers can order fresh turkey now to be delivered from December 21.
Tesco Fresh Whole Turkey Medium – £4 per kg
Bargain hunters can pick up the turkey, which weighs between 4.5kg and 4.99kg and serves 11 to 14 people.
The turkey works out at £4 per kilogram.
Waitrose Essential Extra Large Whole Turkey with Giblets – £5.25 per kg
The best deal from Waitrose is the huge extra large turkey, which weighs between 8kg and 9.5kg.
The bird costs £43 to £50, depending on size and serves 16 people.
Sainsbury’s Standard Turkey – £5.50 per kg
Retailing at £11, the standard turkey is the cheapest available in Sainsbury’s.
The meat is between 2kg and 2.99kg and feeds three to six people.
Marks & Spencer British Oakham Turkey Crown – £11 per kg
The retailer offers some of the most expensive turkeys on offer this year.
The British Oakham Turkey Crown is the most affordable turkey in the Christmas range, coming in at £11 per kilogram.
The contribution made by key workers to our cities has never been more essential – or more appreciated. Yet some of our cities – especially Melbourne and Sydney – are increasingly unaffordable for teachers, nurses, paramedics, fire and emergency workers.
Essential workers are being forced to live further away from where they work.Credit:Paul Rovere
The COVID-19 pandemic may result in a renewed focus on enabling key workers to live and thrive in urban areas, ensuring cities have access to a sufficient healthcare and other essential workforce when needed. In many cities, key workers occupy a housing affordability gap. They earn too much to access social housing and rent assistance, but not enough to rely on the market alone. In Australia, this is especially evident in Sydney and Melbourne.
A pre-COVID study commissioned by Genworth Mortgage Insurance and Teachers Mutual Bank, which looked at the housing affordability for key workers in the two largest cities, showed that 79 per cent of the 506 key workers who participated in the study believed that home ownership is not achievable for them despite nearly all of them agreeing that home ownership is vitally important. For many key workers this meant having to pay a high personal cost to own a home in cities including working overtime, delaying starting a family or moving in with family or friends while saving for a house. For others, the best option may be to relocate to outer suburbs or regional areas.
For those who opt to move further from cities, transport affordability becomes a challenge. Moving to the outer suburbs and accepting a longer commute may not be sustainable, so key workers often look for work closer to where they live, or pivot towards other higher-paying work. Over time, cities with a high cost of living face a net loss of key workers, while the demand for their services continues to grow.
Housing affordability is a major political issue at a national and inter-generational level. This is particularly evident in the UK. Between 2001 and 2004, a range of programs directed specifically at key workers were put in place, which included both ownership and rental options.
The government’s current home ownership policies share some features with the earlier key worker schemes, but are open to anyone, subject to income tests. Key worker-specific programs tend to be localised and ad hoc, and are often more focused on rental than on home ownership.
In many cities, key workers occupy a housing affordability gap.Credit:Chris Hopkins
Aware Super (formerly First State Super) announced early this year that it is investing in 55 new key worker affordable rental units six kilometres from Melbourne’s CBD. The rental properties will be available for healthcare, aged care, disability services, teachers, law enforcement, emergency services, childcare and associated industries personnel to rent at 80 per cent of the market rate for the area. This is following Aware Super’s first pilot investment in key worker affordable rental housing in Epping, NSW, in mid-2019. While such investments are positive and welcomed, more policy focus and investment is required to ensure that home ownership in our cities is possible for key workers.
One lesson from the pandemic is that cities should maintain a deployable, scalable, locally based pandemic workforce. Priority roles include nurses (especially ICU-capable nurses), paramedics, medical technicians and contact tracers. Housing or tax incentives, or cash stipends, could be made available to suitably skilled individuals who maintain pandemic training and can be deployed if required, similar to the army reserve.
While a ‘pandemic reserve’ is not directly aimed at addressing affordability, by giving these workers extra income or other incentives, their buying power is improved. In this way, the community can maintain as-needed access to workers who choose to pursue higher incomes.
Another likely post-pandemic trend is ‘decasualisation’ of healthcare workforces. Predominantly casual workforces have been problematic during the pandemic, including due to increased risk where people work at two or more facilities. Healthcare workers are facing significant risks, and demands for greater employment stability – and higher wages – should be expected as a result. In turn, this improves buying power.
Compared to other occupation categories, key workers are more likely to maintain stable employment during a pandemic. The safe investment features of key worker housing are amplified when the economy is disrupted. If pandemic lockdowns become semi-regular events, the investment characteristics of key worker housing will diverge from other housing development projects, for example student housing. There are a number of existing and emerging models which seek to address housing affordability for key workers.
Despite the current focus on our key workers, it seems unlikely that housing affordability policies at a central government level will shift from affordability generally to key worker housing affordability specifically. This is partly because key workers haven’t suffered the same economic distress as workers in other occupations during the pandemic.
If cities want to localise and future-proof their most essential workforce, innovative local solutions will be key. Governments and developers should work together to support transaction structures which will encourage development of affordable key worker housing in appropriate areas. For developers and investors, key worker focused developments may be among the safest, most bankable projects as we head into the new normal.
Natalie Bryce and Julie Jankowski are partners at law firm Herbert Smith Freehills.
China begins final countdown for the launch of Chang’e-5 lunar mission to bring back rocks from the moon for the first time in four decades
The Chang’e-5 probe is set to be launched into space between 8pm-9pm GMT
Engineers have begun fuelling the rocket for the lift-off, state media reported
The probe is set to drill 7ft into the moon to collect samples to be brought back
The whole mission is expected to last 23 days, a lead engineer told a journalist
China has begun the final countdown for a mission to bring back material from the moon’s surface in what would be a major advance for the country’s space programme.
The Chang’e-5 probe is expected to be blasted into space between 4am to 5am Tuesday Beijing time (8pm to 9pm Monday GMT) from a launch pad in southern China, according to Chinese state newspaper People’s Daily.
It marks the first time in four decades that any country has sought to bring rocks and debris from the moon to Earth.
The Chang’e-5 probe is expected to be blasted into space by a Long March-5 rocket between 4am to 5am Tuesday Beijing time (8pm to 9pm GMT), according to Chinese state newspaper People’s Daily. The picture shows the rocket being moved to its launch site on November 17
Regarded as China’s most ambitious lunar mission yet, the expedition could boost human understanding of the moon, its age and resources, and of the solar system more generally.
The four modules of the Chang’e-5 spacecraft are expected be sent into space aboard a massive Long March-5 rocket from the Wenchang launch centre along the coast of the southern island province of Hainan, according to a NASA description of the mission.
The rocket, measuring 57 metres (187 feet) long and 870 tonnes in weight, was moved to the launch pad as a whole last Tuesday while standing vertically on a mobile launch platform that travelled on tracks.
The Chang’e-5 mission is expected to be launched by a Long March-5 rocket from the launch pad at the Wenchang Space Launch Site in Wenchang in southern China’s Hainan Province
Crew members stand in the control room aboard China’s spacecraft tracking ship Yuanwang 3 as the ship departs from a port for missions concerning the Chang’e 5 lunar probe on Monday
In this July 17, 2020, photo released by China’s Xinhua News Agency, a Long March-5 rocket is seen at the Wenchang Space Launch Center in southern China’s Hainan Province
China’s state broadcaster CCTV is running a live programme on its social media account on Monday to broadcast the final preparation and the launch, which is set to be hours away.
Engineers began injecting a low-temperature propellant into the rocket at 6.30pm Beijing time (10:30am GMT).
Workers conducted the final joint drill for the launch on Saturday at several sites across the nation, including the launch pad in Wenchang, command centre in Beijing and satellite monitoring centre in Xi’an, reported CCTV’s military channel.
The whole mission is expected to last 23 days, according to Peng Deyun, a supervising engineer of the probe.
Peng told CCTV that the whole mission would consist of 11 stages, including 23 ‘major orbit-control tasks’ and six ‘major separation tasks’, Peng said, adding that the team was confident that the project would be a success.
The picture shows the fifth Long March-5 rocket, with China’s new lunar probe Chang’e-5 on top, ready to be transferred to the launch area for the Chang’e-5 launch mission last Tuesday
The mission’s key task is to drill two metres (almost 7 feet) beneath the moon’s surface and scoop up about two kilograms (4.4 pounds) of rocks and other debris to be brought back to Earth, according to NASA.
That would be the first opportunity scientists have had to study newly obtained lunar material since the American and Russian missions of the 1960s and 1970s.
The mission is ‘indeed challenging’, but China has already landed twice on the moon with its Chang’e-3 and Chang’e-4 missions, and showed with a 2014 Chang’e-5 test mission that it can navigate back to Earth, re-enter and land a capsule, said Jonathan McDowell, an astronomer at the Harvard-Smithsonian Center for Astrophysics.
All that’s left is to show it can collect samples and take off again from the moon, McDowell said.
‘As a result of this, I’m pretty optimistic that China can pull this off,’ he said.
Chang’e 5 is billed as China’s most complicated and challenging space exploration mission yet
Engineers moved the gigantic rocket along with the Chang’e-5 probe to the position last week
Such experience is growing in value with more and more countries conducting asteroid sample returns and considering Mars sample returns, McDowell said.
After making the three-day trip from Earth, the Chang’e-5 lander’s time on the moon is scheduled to be short and sweet. It can only stay one lunar daytime, or about 14 days, because it lacks the radioisotope heating units that China’s current lunar rover, the Chang’e-4, possesses to withstand the moon’s freezing nights.
Launched as a single spacecraft, Chang’e-5 is actually composed of a lander, ascender, service module and return capsule.
According to the plan, the lander will dig for materials with its drill and robotic arm and transfer them to the ascender, which will lift off from the moon and dock with the service capsule. The materials will then be moved to the return capsule for the trip home to Earth.
The technical complexity of Chang’e-5, with its four components, makes it ‘remarkable in many ways,’ said Joan Johnson-Freese, a space expert at the US Naval War College.
If successful, it could be a blueprint for a Mars sample return or even a crewed lunar mission, Johnson-Freese said.
It would take Chang’e-5 23 days to reach the moon, said a supervising engineer of the probe
Workers conducted the final drill for the launch on Saturday at several sites across the nation
‘China is showing itself capable of developing and successfully carrying out sustained high-tech programs, important for regional influence and potentially global partnerships,’ she said.
The mission, named for the Chinese moon goddess Chang’e, is among China’s boldest since it first put a man in space in 2003, becoming only the third nation to do so after the US and Russia.
While many of China’s crewed spaceflight achievements, including building an experimental space station and conducting a spacewalk, reproduce those of other countries from years past, the CNSA is now moving into new territory.
Chang’e 4 -the first soft landing on the moon’s relatively unexplored far side – is providing full measurements of radiation exposure from the lunar surface, information vital for any country that plans to send astronauts to the moon.
China in July became one of three countries to have launched a mission to Mars, in China’s case, an orbiter and a rover that will search for signs of water on the red planet. The CNSA says the spacecraft Tianwen 1 is on course to arrive at Mars around February.
Staff members are pictured celebrating after the rocket was moved to the launch area
The mission, named after the Chinese moon goddess, is among China’s most ambitious
China has increasingly engaged with foreign countries on missions, and the European Space Agency will be providing important ground station information for Chang’e-5.
US law, however, still prevents most collaborations with NASA, excluding China from partnering with the International Space Station. That has prompted China to start work on its own space station and launch its own programs that have put it in steady competition with Japan and India among Asian nations seeking to notch new achievements in space.
China’s space program has progressed cautiously, with relatively few setbacks in recent years. The Long March-5 rocket, nicknamed ‘Fat 5’ because of its bulky shape, failed on a previous launch attempt, but has since performed without a glitch, including launching Chang’e-4.
‘China works very incrementally, developing building blocks for long-term use for a variety of missions,’ Freese-Johnson said. China’s one-party authoritarian system also allows for ‘prolonged political will that is often difficult in democracies,’ she said.
While the US has followed China’s successes closely, it’s unlikely to engage China in space amid political suspicions, a sharpening military rivalry and accusations of Chinese theft of technology, experts say.
‘A change in US policy regarding space cooperation is unlikely to get much government attention in the near future,’ Johnson-Freese said.
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Jordan North, 30, first began presenting radio while he was studying at university. During the last year of his degree, he entered a radio competition and won a Sunday show on The Hits Radio. Jordan is also taking part in the 20th series of ITV’s I’m A Celeb and has captured the hearts of the nation with his friendliness and close bond with other contestants.
The show, which is set in a Welsh castle this year, sees contestants taking part in Bushtucker Trials to win food for the camp.
Before university, one of Jordan’s first jobs was a bricklayer and later, he worked in a restaurant.
On the waitering job, Jordan said: “I was a pot washer, and got sent on an errand for ‘salmon legs’.”
After completing his degree, the I’m a Celeb contestant worked as a researcher and producer for BBC Radio 5 Live while presenting shows on Capital North East and then Capital Manchester.
He then spent 18 months working part-time at Rock FM before leaving the BBC when he was appointed as the Lancashire station’s drive time presenter in 2014.
Since 2018, Jordan has appeared on different podcasts and is now the main cover presenter for Scott Mills and Nick Grimshaw.
The radio presenter is referred to as Radio 1’s ‘supply teacher’ when he is on-air.
Before it was announced he was taking part in this years I’m A Celeb, Jordan appeared on children’s singing competition ‘Got What It Takes?’ as a guest mentor.
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How much is he currently worth?
Jordan’s net worth is currently not known, but it is estimated to be in the hundreds of thousands which will soon increase once he leaves the popular ITV show.
Ladbrokes’ odds currently show that Jordan is to win the show 4/5, making him the first 2020 campmate to be odds-on to win.
Viewers of the show are huge fans of the radio presenter as he has faced his fears and created great friendships with the other campmates.
In particular, campmate Beverly Callard, who is known for her role as Liz McDonald in soap opera Coronation Street, who said Jordan is on the road to be a “megastar”.
It is not known how much the contestants get paid to take part in the show but it is reported that they earn tens of thousands to appear.
Appearing on the show will also help to boost their profile, which will help then earn more money once the show is over.
The radio presenter already has nearly 250k followers on Instagram and gets thousands of likes per post.
If Jordan does get crowned King of the Jungle, he could be set to make a fortune.
In comparison, Jacqueline Jossa, best known for her acting role in EastEnders, won last year’s series and is now worth a whopping £1.2million according to website marriedbiography.com.
Just for taking part in the popular ITV show, Jacqueline was reportedly paid an impressive £75,000.
She now has three million Instagram followers and earns thousands per sponsored post on her feed.
According to research by digital marketing agent AGY47, Jacqueline can earn anything up to £9,500 per post on the platform.
However, even if Jordan doesn’t win the show, his friendly nature and ambition will no doubt help him earn some brand deals.
I’m A Celebrity continues tonight on ITV at 9pm where AJ Pritchard and Jessica Plummer are set to take part in another Bushtucker Trial.
THIS Morning boss Martin Frizell's wife Fiona Phillips has hit at claims she and Eamonn Holmes 'couldn't stand each other' during their time on GMTV.
The 59-year-old broadcaster, who wed the TV editor and producer in 1997, hosted the morning show alongside Eamonn, 60, for nine years.
At the time, the pair were labelled the King and Queen of Breakfast Telly.
But despite appearing close on the ITV show, some fans weren't convinced by their partnership.
Taking to Twitter, one viewer recently suggested: "I think they couldn't stand each other."
The user was replying to a previous tweet from a fan of Fiona and Eamonn's, who called the former co-stars "simply the best".
The negative comment didn't go unnoticed by Fiona, who was quick to fire back.
She replied: "Utter b******s, but I guess you must know best, being a total stranger whom we’ve never ever set eyes upon, let alone shared confidences with….."
Meanwhile, Eamonn added: "That's my Partner ….. u tell him!"
Fiona co-hosted GMTV with Eamonn for years and presented her final show in December 2008.
The former GMTV star has two teenage sons with her husband Martin -Nathaniel, 20, and Mackenzie, 17.
Fiona's tweet comes hours after The Mail reported her husband had an explosive clash with Eamonn ahead of last December's General Election.
It's believed the row – which was sparked by a refusal to gift Scottish First Minister Nicola Sturgeon a Christmas bauble – is the reason Eamonn and his wife Ruth Langsford have been sacked from This Morning.
According to reports, Ms Sturgeon had proposed gifting the couple with a traditional decoration during an interview, with Frizell keen to reciprocate the gesture by getting Eamonn and Ruth to present the politician with a bespoke bauble.
But the idea was not welcomed by Eamonn, who claimed the mutual gift-giving wasn't in line with impartiality rules prior to an election.
A source told the publication: "Martin exploded, saying he was the editor and he decided what happened on the show.
"He then refused to go to Eamonn’s dressing room for the pre-show meeting with the presenters.
"The producer was having to run back and forth between the news room and the dressing room to convey Eamonn’s fury to Martin and Martin’s fury to Eamonn."
On Friday, the popular husband and wife duo hosted their first This Morning show since news of their axing broke.
They seemed to allude to the show shake-up by dwelling on the "frosty" weather conditions on the day.
A spokesperson for This Morning said: "We have a stellar presenting line up on This Morning in Holly & Phillip and Eamonn & Ruth.
"Any additions to this line up will be announced in due course."
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Kate Middleton and Prince William, both 38, are bringing up three children in the limelight. Raising children can be hard for any parent but one expert has shared how the Duchess’ body language may give an insight into what her parenting is like.
The royal children can be seen with their parents on regular occasions and the youngsters will often be holding Kate or William’s hand.
This is unusual for members of the Royal Family as they tend to maintain a professional level of royal etiquette in public.
However the couple brought it upon themselves to add more techniques into their parenting, including being more natural with their children in public.
Speaking to Express.co.uk, body language expert Judi James revealed how Kate’s body language when she is on her own is very similar to when she has her children with her.
Judi said: “The interesting thing about Kate’s body language with her three children is that it barely changes from her normal look of happy positivity.
“She clearly became more experienced and relaxed about all the more physical skills of carrying and lifting as each child was born, but in terms of her essential style of being ‘mummy’ she appears to have retained all the usual qualities of being ‘Kate’, i.e. caring and fun, but without any over-protective fussing in public.”
The Duchess first became a mother in 2013 when their first son was born, Prince George.
Since then, the couple have had two more children, Princess Charlotte, who was born in 2015, and Prince Louis, who was born in 2018.
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Judi explained that Kate realises the amount of responsibility her children will have and she does her best at offering them support.
The expert added: “Kate appears to be very aware of the goldfish bowl life her children will have as well as the heavy responsibilities they will bear as they grow up and her body language with them suggests she is trying to create confidence in them as much as offering support and nurturing.”
Creating confidence can be seen on many occasions, in particular when Prince William appeared on That Peter Crouch podcast.
When William appeared on the podcast this year he was asked whether he had to persuade George to become an Aston Villa fan like himself.
He replied: “I’m trying not to persuade him to be a Villa fan, I’m letting him choose his own way. It’s about finding what fits for him.”
The Duke and Duchess seem to have encouraged their children’s confidence by letting them speak openly about their feelings, which will benefit them in the roles they will have within the Royal Family as they get older.
“She uses a lot of ‘sharing’ rituals, bending down or lifting her child to so that they are equal height with their heads together, showing she’s tuning into their thoughts and sharing their view of the world,” Judi said.
“She also uses some intense eye contact when she communicates with them to show active listening but although her touch rituals signal support and caring she also looks very much as though she is encouraging them to be suitably grown-up in public.”
Providing affection in public for the Royal Family was extremely rare before Kate and William had their first child.
They are more hands-on with their children in public than royals have been in the past, and this can be seen during royal events and engagements when there are a lot of people around.
Looking at a photo of Kate and George together, Judi explained that the Duchess’ parenting is never “over-fussy”.
Judi said: “Even when she’s holding little George’s hand to balance him it looks as though he is helping his mum to get up.
“Kate’s tie-signs with her children are constant but never over-fussy in a way that could make them feel nervous or shy.
“She seems to be taking them through all their milestones as royal children wearing an air of positivity and confidence that should be passed on to all three of them.”
The Crown should come with a disclaimer that it is fiction NOT fact: Politicians, experts and friends of royals back calls for Netflix to warn viewers that show twists the truth
Politicians, royal experts & friend of Prince Charles calling for Netflix disclaimer
Believe streaming outlet should warn viewers The Crown scenes are fictional
Comes Princess Diana’s brother said he felt uneasy watching Diana’s depiction
A powerful coalition of politicians, Royal experts and a close friend of Prince Charles last night backed calls for Netflix to broadcast a disclaimer warning viewers of The Crown that many key scenes never happened or are distortions of the truth.
The streaming giant is facing mounting criticism for fabricating a string of controversial incidents in the latest series of the hit drama, amid warnings its manipulation of real events could damage the future of the Monarchy.
The Mail on Sunday today launches a campaign to demand Netflix makes clear to its millions of viewers that The Crown’s storylines twist the truth and present fiction as fact.
It comes as Earl Spencer, Princess Diana’s brother, said he felt uneasy watching his sister’s depiction in the drama and that he fears viewers will ‘forget it is fiction’. Those backing calls for a disclaimer include:
A powerful coalition of politicians, Royal experts and a close friend of Prince Charles last night backed calls for Netflix to broadcast a disclaimer warning viewers of The Crown that many key scenes never happened or are distortions of the truth
Lady Glenconner – Princess Margaret’s lady-in-waiting for more than 30 years and a friend of Prince Charles – who revealed that a scene depicting her in the previous series was ‘completely untrue’;
Julian Fellowes, the creator of Downton Abbey, who pointedly reminded The Crown’s producers that they are portraying the lives of ‘real people’;
Former Culture Secretary Karen Bradley, who said it was ‘vital’ that each episode carries a ‘health warning’ that some events have been ‘embellished’;
General Sir Richard Dannatt, a former head of the British Army, who warned ‘there is a real risk that history is being rewritten’.
The fourth series of The Crown, released last Sunday, covers the years between Lord Mountbatten’s assassination by the IRA in 1979 and the ousting of Margaret Thatcher in 1990. Much of it focuses on Charles’s doomed marriage to Diana and supposed tensions in the relationship between the Queen and Mrs Thatcher.
The series wrongly suggests the affair between Charles and Camilla continued throughout his marriage to Diana. In fact, Charles had virtually no contact with Camilla for the first five years of his marriage in 1981.
In a fabricated scene in the first episode, Lord Mountbatten writes to warn Charles he is in danger of bringing ‘ruin and disappointment’ to the family, while the third episode falsely depicts Mrs Thatcher being humiliated by the Royal Family at Balmoral.
The series wrongly suggests the affair between Charles and Camilla continued throughout his marriage to Diana
The MoS last week revealed how friends of Charles had accused the producers of the drama of ‘trolling on a Hollywood budget’.
Peter Morgan, The Crown’s creator, has defended making up scenes, adding: ‘You sometimes have to forsake accuracy, but you must never forsake truth.’
But Hugo Vickers, a leading Royal historian and author of The Crown Dissected, said it was ‘absolutely vital’ a disclaimer be shown at the start of each episode warning viewers the show is fictionalised.
‘Peter Morgan says he conflates incidents, which is understandable, but he also twists the facts and thus turns the truth into something so distorted that it becomes an out and out lie,’ he added.
Lord Fellowes also questioned the way The Crown is depicting the Royal Family, saying: ‘I don’t really like commenting on other people’s work… but in this instance I can’t help feeling that the very brilliant programme makers sometimes forget that these are real people and they are leading real lives.’
The Tory peer supported calls for Netflix to make it clear that fact is being blended with fiction.
He said: ‘I don’t really understand why not because in many programmes based on truthful events there is a disclaimer at the beginning that says some events have been conflated and some characters have been invented for dramatic purposes. That’s very common – you see it at the front of many, many programmes.’
In a fabricated scene in the first episode, Lord Mountbatten writes to warn Charles he is in danger of bringing ‘ruin and disappointment’ to the family
Princess Margaret is shown in one episode of the new series being rude to Mrs Thatcher and appears irritated in another episode when Diana’s entrance into a room interrupts her as she is telling a story.
Lady Glenconner, Princess Margaret’s lady-in-waiting between 1971 and 2002, last night stressed she has not seen the latest series but believes such a portrayal of her friend is ‘unfair’.
All these hit shows happily do it…
Dozens of popular dramas, including one produced by the same company behind The Crown, carry disclaimers.
The ITV series Quiz, about how Charles Ingram cheated his way to winning Who Wants To Be A Millionaire?, makes clear to viewers that some scenes are invented.
Each episode, produced by Left Bank Pictures, which also makes The Crown, begins: ‘This drama is based on real events. Some incidents and characters have been changed for dramatic purposes.’
Others dramas with disclaimers include the BBC’s Responsible Child, the story of a 12-year-old boy tried as an adult for murder and ITV’s Honour, based on the ‘honour killing’ of Banaz Mahmod.
Regulator Ofcom says shows ‘should not portray facts, events, individuals or organisations in a way which is unfair’.
However, Netflix, which screens The Crown, is regulated by the Dutch regulator as its European headquarters is in the Netherlands.
‘They just make up what they want and of course there is a lot of people who think it is true,’ she said.
The 88-year-old was depicted in a fictional scene in the third series which falsely showed Margaret meeting her future boyfriend Roddy Llewellyn at a swimming pool party.
They in fact met over tea at the Cafe Royal in Edinburgh.
Christopher Warwick, Princess Margaret’s authorised biographer, voiced fears that the current series could damage the reputations of Charles and Camilla.
In January, Netflix revealed 73 million households worldwide have watched The Crown since it began in 2016.
Clive Irving, a Royal author based in the US, said many Americans regard the events depicted in The Crown as ‘gospel truth’.
It is a concern shared by Earl Spencer, Princess Diana’s brother, who told ITV’s Alan Titchmarsh: ‘I find Americans tell me they have watched The Crown as if they have taken a history lesson. Well they haven’t.’
Lord Dannatt, who brokered a deal with the press to allow Prince Harry to serve in Afghanistan, said: ‘To allow a wrong belief to gain credence is not only unfair but potentially damaging for the monarchy and therefore is not right.’
Ingrid Seward, the editor-in-chief of Majesty magazine, criticised a scene in the second episode in which The Queen allows Mrs Thatcher to accompany her stalking on the Balmoral estate dressed in a bright blue coat with matching handbag and scarf.
‘The Queen does not like humiliating people. It simply in a million years couldn’t be further from the truth.’
Karen Bradley, Culture Secretary in Theresa May’s government, said it was ‘vital’ each episode of The Crown carried a ‘health warning that it’s not strictly faithful to the facts… and that for dramatic reasons, they have embellished and even invented some events’.
Lord Forsyth, a Minister in both Mrs Thatcher and John Major’s governments, said The Crown was ‘barely one step up from Spitting Image and is riddled with error and invention’.
Angela Levin, a biographer of Prince Harry, said Netflix had a ‘moral duty’ to carry a disclaimer, while Dickie Arbiter, the Queen’s former press secretary, said a disclaimer should be read out during the opening titles of each episode.
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Tom Brady is aware of his own struggles this season and what he has to do to get the Tampa Bay Buccaneers more victories down the stretch of the 2020 season.
Brady, in his first season with the team, told reporters he has to do a better job of targeting wide receivers down the field. It’s something coach Bruce Arians has publicly criticized his quarterback for.
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“It’s definitely something we’ve got to hit,” Brady said, according to the Tampa Bay Times. “Our guys are doing a great job getting down the field and it’s my job to find them and hit them. You know, if you don’t hit them, they’re just long foul balls and we had a few of those last game.”
Brady has 2,739 passing yards, 23 touchdown passes, seven interceptions and has completed 66% of his passes.
It’s not going to get easier for the Buccaneers on Monday night when they play the Los Angeles Rams, whose defense features Aaron Donald and Jalen Ramsey.
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Los Angeles is 6-3 and could tie for the NFC West lead with a win. The Rams are second in points allowed and second in yards allowed this season.
Brady gave props to the Rams’ defense on Friday.
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“They’ve got some really good players that maybe some people haven’t heard of but they’re playing really well. They’re fast, they attack, they’re aggressive, they’re in a good scheme. You don’t have a lot of time as a quarterback to sort things out because this D-line is on you so quick,” he said.
Duchess of Sussex’s ‘Megxit’ wardrobe and Princess Beatrice’s wedding dress are the most influential royal fashion moments of 2020, search engine data reveals
Lyst analysed over 100 million shoppers for its annual Year In Fashion Report
Duchess of Sussex’s ‘Megxit’ wardrobe among the most influential moments
Princess Beatrice also prompted a spike in searches with her wedding dress
The Duchess of Sussex’s ‘Megxit’ wardrobe and Princess Beatrice’s vintage wedding dress were the two royal fashion moments that generated the biggest buzz this year, data reveals.
Meghan Markle, 39, prompted a surge in online searches when she stepped out in a string of stunning designer ensembles for her final engagements as a senior working royal in March.
Princess Beatrice had a similar impact when she picked a vintage Norman Hartnel dress belonging to the Queen for her secret wedding to Edoardo Mapelli Mozzi in July.
The findings were released by online fashion platform Lyst, which analysed the searches of over 100 million shoppers for its annual Year In Fashion Report.
Meghan Markle, 39, prompted a surge in online searches when she stepped out in a string of stunning designer ensembles for her final engagements as a senior working royal in March. Her final showstopping look was a green Emilia Wickstead dress, worn on March 9 to the Commonwealth Day Service at Westminster Abbey, pictured. The label saw a 286 per cent increase in searches as a result
According to Lyst, Princess Beatrice wearing a vintage gown by Norman Hartnel increased searches for vintage wedding dresses. Pictured: Princess Beatrice and Edoardo Mapelli Mozzi at their wedding in July
The 2020 fashion moments that REALLY made an impact
Red Carpet (Vintage) Fashion
The Billie Eilish Effect
A Durag In Vogue
Duke And Duchess depart
#PillowChallenge Takes Over Instagram
Met Gala Goes Online
Princess Beatrice wears vintage
Michelle Obama’s Call to “Vote”
A Virtual Emmy Awards
Another Savage Show
The History-Making pantsuit
The Duchess of Sussex made headlines around the world when she chose a series of bold outfits for her final royal engagements in March.
Among them was a stunning blue Victoria Beckham dress, worn on March 5 to the Endeavor Awards, which sparked a 137 per cent increase in searches for the designer.
It was followed by a 227 per cent spike in searches for Safiyaa after the Duchess wore a breathtaking red dress from the brand two days later.
Her final showstopping look was a green Emilia Wickstead dress, worn on March 9 to the Commonwealth Day Service at Westminster Abbey. The label saw a 286 per cent increase in searches as a result.
Meanwhile Princess Beatrice sparked a surge in interest in vintage wedding dress following her low-key nuptials.
The secondhand and sustainable choice caused a surge in searches for the term ‘vintage wedding dress’, which were up 297 per cent in the 48 hours following the royal wedding.
This stunning blue Victoria Beckham dress, worn on March 5 to the Endeavor Awards, which sparked a 137 per cent increase in searches for the designer
Lyst also revealed the 10 high profile fashionistas who were the most influential in terms of searches, sales, news coverage and social media mentions over the last 12 months.
The Duchess of Cambridge was the only royal to appear on the list, which was dominated by musicians including Harry Styles, Beyonce and Lizzo.
Having ranked 11th place last year, Kate Middleton managed to climb the ranks to 9th place this year as trendsetters gushed about her timeless basics.
However, the most powerful dresser this year has been revealed as Harry Styles with fellow musicians including Beyonce, and Kim Namjoon also scoring highly
The Duchess of Cambridge is the only royal to make this year’s top ten most powerful dressers. Pictured: The Duke and Duchess of Cambridge visiting the East London Mosque in September
… and the 12 biggest power dressers
The celebrities whose personal style choices drove the biggest spikes in searches, sales, news coverage and social media mentions over the past 12 months, according to Lyst
1. HARRY STYLES
Harry Styles, 26, topped this year’s list of power dressers, with his vintage-inspired aesthetic and signature peal necklace. Pictured: Harry at the Brit Awards in February
The British singer, 26, is the first male celebrity to top Lyst’s Power Dressers list. He has gained a reputation for being a style icon with a vintage-inspired aesthetic and signature pearl necklace.
According to Lyst, within 24 hours of releasing ‘Golden’, Harry was able to increase page views for blue and turquoise blazers on their site by 52 per cent, while searches for yellow bucket hats spiked by 92 per cent.
The reports reveals his JW Anderson cardigan sparked a viral #HarryStylesCardigan challenge on TikTok, with searches for the knitwear spiking 166 per cent during the last week of June.
Beyoncé (pictured) caused a surge in searches for Marine Serre, after wearing a catsuit by the French brand in July
One of the many outfit changes in Beyoncé’s ‘Black Is King’ included a Marine Serre catsuit in a crescent moon print.
Within 48 hours of its debut in July, searches for the French brand spiked 426 per cent and in the following days, more than 3,000 shoppers looked for ‘crescent moon top.’
The 39-year-old’s Instagram post, in which she wore an Alessandra Rich suit, in September saw searches for the brand rise 78 per cent week-on-week, reports Lyst.
3. KIM NAMJOON (RM) OF BTS
Kim Namjoon (pictured centre) boosted sales of white menswear, after donning a white turtleneck and white jacket during the band’s visit to New York in February
As the leader of BTS, Kim Namjoon who is also known as RM, is considered the most influential member of the K-Pop group. In February, when BTS visited New York and Namjoon was spotted wearing a white turtleneck with a white jacket.
That week according to Lyst, fashion searches for similar menswear pieces spiked 67 per cent.
The star’s BTS performance at the 2020 MTV VMAs wearing full Gucci looks, boosted searches for Gucci ties by 28 per cent and three-piece suits by 12 per cent within 24 hours.
4. ALEXANDRIA OCASIOCORTEZ
Alexandria OcasioCortez (pictured) went viral in July, boosting searches for red suits by 74 per cent claims Lyst
Following Alexandria OcasioCortez’s viral speech on condemning sexism within the U.S. Congress in July, searches for women’s red suits jumped 74 per cent over the following five days.
After she called out Telfar’s signature Shopping Bags on Instagram, searches for the brand spiked 163 per cent that same week, proving that politicians can have as much of an impact on fashion as influencers.
5. TRAVIS SCOTT
Travis Scott (pictured) increased searches for Nike, with the announcement of his collaboration with the brand in January
The American rapper (pictured) also helped to boost McDonald’s sales, after partnering on a special Cactus Jack meal
According to Lyst, When Travis Scott announced he was collaborating with Nike in January, searches for the sportswear brand spiked 128 per cent month-on-month. Plus, the term ‘Travis Scott x Nike’ spiked 168 per cent within 24 hours upon the release of the Nike Air Max 270 sneaker.
His recent partnership with McDonald’s on a special Cactus Jack meal ($6), which caused burger shortages, also helped boost the fast-food franchise’s quarterly sales.
6. PAUL MESCAL
Paul Mescal (pictured) who was spotted wearing shorts throughout summer, helped to boost sales for men’s shorts and Louis Vuitton
The Normal People breakout star was spotted wearing short shorts numerous times over the summer, and searches for mens’ ‘short’ shorts increased 51 per cent month-on-month in July.
After wearing Louis Vuitton for the Emmys in September, searches for the French brand’s menswear grew 44 per cent week-on-week.
American singer Lizzo (pictured) spiked searches for blue lingerie after appearing in the Savage X Fenty Show Vol. 2
When the singer made an appearance in the Savage X Fenty Show Vol. 2, searches for blue lingerie spiked by 96 per cent.
Following Lizzo’s Grammys performance in a neon bodysuit, searches for the same item increased 37 per cent in a span of 24 hours.
8. CHARLI D’AMELIO
TikToker Charli D’Amelio (pictured) boosted searches for pink Prada bags, after attending the brand’s show during Fashion Week
After the TikToker attended the Prada show in Milan and posted videos with a pink Prada bag, searches for the accessory spiked 90 per cent within 24 hours.
When she posted a video to celebrate her 72 million followers in a tie-dye cropped tee, searches for tie-dye tees jumped 73 per cent for 48 hours.
9. KATE MIDDLETON
The Duchess of Cambridge (pictured) helped to increase searches for floral face masks according to Lyst
Less than one day after Kate Middleton wore a floral face mask in early August, searches for the style had already surged 185 per cent in the UK.
The Duchess of Cambridge is often seen wearing timeless basics, and during a BBC interview in April, her striped breton top caused searches for the patterned shirt to increase 36 per cent in 24 hours.
10. CHIARA FERRAGNI
Chiara Ferragni (pictured) collaborated with Champion in April, increasing searches for the brand by 108 per cent
According to Lyst, after the web entrepreneur collaborated with Champion in April, searches for the athletic wear brand spiked 108 per cent that same month.
Her quarantine fashion choices have also influenced global searches, including her Versace bathrobe and Louis Vuitton fur slippers.